EPISODE TWO Kinship for a Subjective Body

A Side: Kinship

B Side: Body

Credits:

Sounds (guitar, vocals, samples and pedals): Joe and Chanelle

Sample mum talking about washing: Jennifer Mcgrath

Images: Bruna Volpi and Jake Terrey

Audio Engineering: Ollie Brown

SUPPORTED BY:  Artspace, Create NSW, Resonance Extra and Higher Ground Studios.

FIELD NOTES - “Let Me Stop You Right There”

Side A Kinship

Mixtape 9: Electronic high notes to museum recording and fading in chords on guitar; max delay and screaming children distorted from the vinyl record; G major riff with applause on vocal pedal loop and storytelling of washing past; shaking drones with ringtone from missed call message bank; indistinguishable talking in the studio and use of power tools; recording of bus engine over museum crowds; handling of cassette tapes and players; music sample; A minor and F major riff on guitar with offset vocal loop.

Side B Body

Mixtape 9: Screams in an institution and guitar noises; Lp needle taps with heavy distortion and delay; creaking guitar handling through high compression; feedback and chords and scales; offset vocal loop over distorted museum; guitar in G major and indistinguishable voices; birds and language lessons; phone calls and studio visits; artist borscht picnic chats; feedback on amp; Bundanon morning birds and crickets with museum sounds and guitar.